Designing a Series of Emails

When our vice president of global human resources, Tinna Hall, requested a set of email teasers to promote our company-wide employee engagement survey, I had these concerns: how will I carry a consistent theme across all emails? How can I design a flexible format that will effectively communicate the content of each message visually? How do I keep them interesting to our 1,000-plus designers? And lastly, as a member of “branding police” for Affinity Express, how will I accomplish all of this while staying true to our branding?

 Since this was a weekly project that ran for six weeks and all the messages were not provided to me upfront, I just took it one email at a time and tried to design something that would work for both short and long headlines and body copy.

 Here’s the design for the first email teaser. I created something simple, clean and colorful, using shapes and colors to symbolize the different opinions and ideas of our people versus a cliché light bulb.

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I carried the structure of the first design, with the headline, logo, etc., over to the second week email teaser. The wave of colors coming from the head urges employees to voice their thoughts. I didn’t go with the overused “man shouting in a megaphone” image.

 

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For the third week, I transformed our logo into colored puzzle blocks in a playful way and added hand-prints all over to imply that every employee’s opinion is different and important.

 

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Building on the design from the previous email, the focus for the fourth week email was “engagement”. I used colorful blocks to emphasize the word and encourage employees to take part in the survey.

 

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The next email was more of a follow-up to the previous one. The visual communicates that we are a global company and the colored thought balloons made it consistent with rest of the emails.

 

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In this final email, I used hands in colorful circles to acknowledge all employees who participated. The circles added a festive look and feel (like balloons) and make the design visually interesting.

 

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The employee engagement survey generated a 67% response rate globally. I think these promotional emails played an integral part in making this effort a success!

What made the emails effective was that certain elements were consistent so the audience could recognize all the designs as part of a series. In this case, the layout of the headline, body copy and logo were repeated. Then visual interest came from the items that did change: the content and graphics. We took the opportunity to play on the colors of our logo and interpret them in several ways that worked to support the purpose of the emails. My advice when you develop your campaigns is to decide what will stay the same and be consistent. Then be creative on the rest of the designs!

Have you already designed a series of emails for your company? If so, how did you go about maintaining your branding but still making it interesting for your audience?

 

Tips on Using Stock Photos

Images are a key component of every marketing design. When used properly, images can have an enormous impact, enticing viewers to stop and take in the message.

Finding the right images can be a challenging task because there are many options.

  1. You can take your own photos, but most of us are not professional photographers and amateur efforts never look as good. Plus, you might want something that you can’t easily photograph: a photo of an island in the ocean, for example, when you live 1,000 miles from the beach.
  2. Another option is commissioned photography, but the cost can be prohibitive for SMBs. It also requires a lot of time and effort: selecting locations, hiring models, etc.
  3. The third—and easiest—alternative is stock photography. One of the advantages is that you have millions of photos to choose from and it’s easy to purchase and download from websites.

One big downside of stock photography is that the images you choose might also be used by other subscribers to the service. But if you’re willing to risk not having a one-of-a-kind image, this is a cheap and easy option.

To use stock photos effectively, here are some things to consider.

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Writing an Effective Creative Brief for a Design Project

A creative brief is almost like a roadmap for how a project will turn out. It is the best chance to set the tone of your project so it starts off in the right direction. Your design will be only as good as your brief.

I remember a quote from a seminar on writing good briefs conducted by the Philippine Association of National Advertisers (PANA): “It is the miracle and magic of advertising that a structured, formal document can produce communication that touches people emotionally.”

There are all types of creative briefs and methods for developing them. The approach you use is less important than the mission: communicate clearly and thoroughly what you want. In other words, provide detailed instructions.

Affinity Express has order management systems (AESB and IDEA) that guide our clients through all the critical details, from size to folding specifications to fonts that must be used. Essentially, our technical team created an electronic client brief to make it easier for clients to communicate. We give them an area for “Additional Instructions” in which they can write anything that might help inform the designers. They can also attach as many reference documents as possible to show styles they like, old versions of documents, color combinations that work well and more.

Whether you are a client and use Affinity Express or not, here is what you should include in your creative brief for your internal team members and outside providers.

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Reviewing Design Work

“Criticism may not be agreeable, but it is necessary. It fulfills the same function as pain in the human body. It calls attention to an unhealthy state of things.”

-    Winston Churchill

As a client, when reviewing creative work, it is important to give constructive criticism. When reviewing a print ad, logo design, web design etc., what is the best way to provide feedback? Here are some guidelines on how critiques should be made to get the end products you want.

1.  Be objective

Who is your primary audience? Will the design draw their attention? Sometimes we confuse our personal taste with the needs of the target market. By setting aside your own preferences, you can better review a designer’s choices on color, layout, visual imagery and typography.

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Design Projects: Information You Should Provide Your Designer

“Design is about getting the right idea, and getting the idea right,” according to Marty Neumeier. So how do you get the most from your projects and achieve critical marketing goals? Do you have a clear vision or do you want your designer to develop the ideas for you?

Clear information and direction are vital to a design project’s success. Defining your objectives, target audience and your optimum results will enable a designer to meet your needs and overcome challenges effectively.

It is best to provide a thorough brief that sketches out the task at hand. However, when clients have a vague goal or an incomplete brief, it is the designer’s responsibility to lead and to get the required information. Whether you are the client or the designer, here is what should be covered:

1.  Scope

What is the project? What is the budget? What are the deliverables? Will the images and copy be supplied? What is the timeframe?

Communicating these important information at the start of the process gives the designer a framework and enables him or her to clearly define the visual problem and devise solutions. Read more of this post

Designing Our Website Icon/Favicon

How do you make your brand stronger down to the smallest detail? How can you enhance your website and stand out from competitors and other companies? Try using a favicon, which is also known as a favorites icon, to display in the address bar when your site is open in the web browser. You can see them today on most popular websites, such as Facebook, Twitter and LinkedIn.

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Without an icon, your site can look flat or worse, like you don’t care enough to create one.

Affinity Express didn’t have a favicon, so I suggested creating one and took on the task of designing a 16×16-pixel icon that could also be used in various media such as Facebook. I wanted our favicon to convey creativity because we offer advertising and marketing production solutions and have a team of more than 900 designers. With this in mind, I developed several design studies that were true to our corporate branding.

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Creative Blocks: How to Work Through and Find Your Inspiration

“The creative mind of an artist is an expression of his soul,” but what happens when your creativity dries up? We’ve all experienced it: the ideas aren’t coming, the clock is ticking and the client (or the boss) is waiting.

It is very human to face creative blocks, regardless of the type of work you do. As a senior designer for a dynamic company with a heavy workload and tight deadlines, I don’t have the luxury of letting them get the best of me.

As Professor Robert Winston says, great composers have come through creative blocks to produce outstanding works. That’s great to know, but how do you get over it and FAST?

1.  Manage expectations

When you realize you are stuck, it is important to manage your client or supervisor to make him or her feel that you have everything covered. Suggest concepts, get feedback and provide updates (basically, appear like you don’t have a block). Ask plenty of questions, as you never know if an answer or insight will suddenly solve the problem for you. Either way, the communication will help the person understand the process and feel engaged, which buys you some time. Read more of this post

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